shorthand for quality
October 15, 2011 by alistairw

‘On the Boarderline: A Doctor Rock-umentary’: Episode Three: Doctor Rock

['On the Boarderline' is an ongoing segment on the Movies About Girls Show, in which I talk about my high school/post-high school band Doctor Rock. As the intro goes, it's done 'song by song', meaning there's probably around 100 episodes to come eventually. What follows is the script of the segment, as well as the .MP3 of the episode's featured song.]

Well hello there listeners. Welcome to episode three of ‘On the Boarderline: A Doctor Rock-umentary’. Over the coming weeks, months, maybe even years and possibly even decades, we’ll be working our way through the back catalogue of these young behemoths of the Ballarat, Victoria music scene, song by song by song by song by song.

This week, we finish our in-depth recollection of Doctor Rock’s first gig, at Josh from Mr Feenjeen’s 17th birthday, and begin our examination of the ’45 Minutes of Rock’ demo in full. We’ve already talked about Your Last Fucking Waltz and Abasid from the show. That just leaves two covers: one of which was played at practically every single gig from then on, and the other of which was never played again and talked about even more seldom.

Fortunately for you, listeners, as there is no audio of the show, you won’t have to put up with listening to Doctor Rock’s take on Duran Duran’s Girls on Film. Actually, it was more like Doctor Rock’s take on the Wesley Willis Fiasco’s take on Duran Duran’s Girls on Film, which suggests it was probably a bad idea from the start, really. When you consider the fact that it was being performed by three under-prepared 17 year olds and a red-headed 16 year old, it seems even worse. And when you add in the fact that the drums were coming from Scrappy’s keyboard, one guitarist wasn’t interested in actually performing, and I was trying my inadequate best to sing and play bass at the same time, well, it’s probably for the best there’s no audio.

As for the other cover song, there’s probably no more important tune in the band’s history - after all, it was Ween’s Doctor Rock that we named the band after. Or I did. Or something. I guess if we’d called the band Captain Fantasy, we would have ended up having to cover that at every gig.

Let’s do things a little different this week, and familiarise ourselves with a little bit of Ween before we get to Doctor Rock’s version. Here, from 1991′s classic ‘The Pod’ album, is the first version of the song released.

And here, from Ween’s live album ‘Paintin’ the Town Brown’, is a little of a live version - stylistically, probably more of an influence on Doctor Rock’s cover than the album version.

As for Doctor Rock’s version, we’re going to take a particularly strange version of the song, from ’45 Minutes of Rock’.

As noted before, this demo was recorded on a little blue ghetto blaster at one of the band’s first two practises - most likely the second one. It was only a short time after the first show that the band scored new members - Matt, a guitarist of some note who’d previously been in a metal band called Oxide with Josh Feenjeen, but wanted to try his hand at singing. And Mick, a handsome and rascally new kid at the school who played drums and bass. In fact, he’d replaced me on bass in Mr Feenjeen, and already played drums for a metal band named Imune (with one ‘m’). The two guys approached me, and we quickly set some times to get together at Mick’s house, once on the weekend and once after school, to run through some songs in Mick’s lounge room.

Jake, unfortunately, couldn’t make it to the ’45 Minutes of Rock’ practise. Or the one before. Or the one after. Combined with his reluctance to actually play guitar at Josh Feenjeen’s party, this suggested a problem soon to come to a head - a sad state of affairs considering he was effectively one of the co-founders of the band. But that’s a story for another week.

The initial idea was to have Matt sing Doctor Rock, which made sense because Matt was the singer. Matt wasn’t much of a Ween fan, though. Matt was mostly just into metal. And industrial metal. And death metal. And black metal. So, not so much with the Ween then. This slight issue was compounded by the fact that we didn’t actually supply Matt with a lyrics sheet - just told him to make something up over the song as we played it. Which he did. As far as i can tell, he sings: “your mum and your dad get drunk and then fuck on your bed”. Maybe.

Despite the inventiveness of said lyrics, we later came to the conclusion that perhaps I should sing the song instead of Matt, and so began a Doctor Rock tradition of mid-show instrument swapping between him and I.

Mick, it’s worth noting, also wasn’t familiar with the Ween song - he was a metal and punk fan. Fortunately and to his credit, he also happened to be a quite skilled improviser, with a knack for playing along with and anticipating changes in songs he’d never even played before.

The day after recording this, I played it to my dad and sister in the car on the way to school. They were mostly unimpressed. ‘Why can’t you go back to being in a good band like Mr Feenjeen?’ Dad asked.

We played it to everyone who ate recess and lunch in the year 12 common room. They were also mostly unimpressed. Of course, listening back to ’45 Minutes of Rock’, it’s not hard to understand why.

But hey, why take my word for it? Judge for yourself! Here’s Doctor Rock, the opening track of ’45 Minutes of Rock’, by Doctor Rock. Next week, we’ll be talking about a particularly uncomfortable cover. Until then, as always, look for the .MP3 below, and join us next week for another episode of ‘On the Boarderline: A Doctor Rock-umentary’.

Download Doctor Rock

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October 8, 2011 by alistairw

‘On the Boarderline: A Doctor Rock-umentary’: Episode Two: Abasid

['On the Boarderline' is an ongoing segment on the Movies About Girls Show, in which I talk about my high school/post-high school band Doctor Rock. As the intro goes, it's done 'song by song', meaning there's probably around 100 episodes to come eventually. What follows is the script of the segment, as well as the .MP3 of the episode's featured song.]

Hello listeners, and welcome to episode two of On the Boarderline: A Doctor Rock-umentary. Over the coming weeks, months, maybe even years and possibly even decades, we’ll be working our way through the back catalogue of these fondly remembered superstars of the Ballarat, Victoria music scene, song by song by song by song by song.

In this episode, we continue looking back at the very early days of the band, and their growth from nothing to something [Gratuitous band in-joke that I will probably explain later]. When we left off last week, the band were midway through the first ever live show, at Josh from Mr Feenjeen’s 17th birthday, and about to begin a song that would prove, possibly more than anything else written at the time, just how purposefully, irritatingly and obtusely different Doctor Rock were aiming to be.

Abasid was a loosely structured instrumental Middle Eastern styled jam, normally lasting somewhere between five and ten minutes. Sometimes less, sometimes more. Eventually, almost a year later, it became a proper song called I Swear to God, with lyrics and structure and a regular running time of around 3:50 and everything. That was later though and before all that, Abasid was a lumbering behemoth of a song; an ambitious jam played by musicians who, given their experience and ability, should have had no place playing ambitious jams.

In fact, if there’s one thing particularly memorable about the first gig, it’s just how unready Doctor Rock were for an audience. Probably that’s true of every single band, and it didn’t matter, of course - debuting at Josh Feenjeen’s party wasn’t exactly playing an industry showcase or anything - but there were problems. Problems aside from, as mentioned last week, our lack of a singer and drummer, which had forced me to attempt to play bass and sing badly at the same time, and had required the use of keyboard drums from Scrappy’s Casio.

There was also the guitar situation. At this time, we had Clemo and Jake on guitar - in theory, one of them was probably rhythm and the other lead, but I doubt anyone could have worked out which was which. Frankly, Jake and Clemo probably didn’t know which was which, and neither seemed in a rush to nominate themselves for one position or the other. Mostly, I would say this is because Clemo was barely capable of power chords at the time, and Jake was apparently completely incapable of doing anything other than standing there blankly looking at the rest of the band while holding his guitar. It’s kind of the defining image of the band at that time.

It’s probably a sign that maybe the practice should have continued all day before the party, and the band should really have skipped two hours spent waving at the Queen as she drove around the lake. But you know, it’s the fucking Queen - what can you do, right? Can’t ignore the fucking queen.

What, you may be wondering, is an Abasid? It’s a Baghdad based dynasty that ruled from 750 to 1258. It’s also the first sort of vaguely Middle Eastern sounding word in the dictionary. There is, now that I think about it, some possibility that the song wasn’t actually yet known as Abasid at this early stage - for a very brief period, it was known simply as ‘Prince of Persia’. Because, you know, nerds.

I don’t really recall what the first version of Abasid, played that night, sounded like. Maybe it wasn’t bad, but more likely it was dreadful, overlong and ponderous for the audience. As with last week’s episode, we’re light on actual audio from the show in question. However, while last week we heard a selection from the ’45 Minutes of Rock’ demo, this week we take Abasid from another early demo - ‘Sing Along With the Doctor’. ‘Sing Along With the Doctor’ was a demo put together by Scrappy and I - just keyboard and bass - to allow incoming Doctor Rock singer Matt to write lyrics. The kind of sparse weirdness you’re about to hear is probably quite similar to that first gig.

So enjoy this week’s selection, friends, and please, do look out for the .MP3 below. Until next week, this has been ‘On the Boarderline: A Doctor Rock-umentary’.

Download Abasid

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October 1, 2011 by alistairw

‘On the Boarderline: A Doctor Rock-umentary’: Episode One: Your Last Fucking Waltz


['On the Boarderline' is an ongoing segment on the Movies About Girls Show, in which I talk about my high school/post-high school band Doctor Rock. As the intro goes, it's done 'song by song', meaning there's probably around 100 episodes to come eventually. What follows is the script of the segment, as well as the .MP3 of the episode's featured song.]

Hello, and welcome to episode one of ‘On the Boarderline: A Doctor Rock-umentary’. Over the coming weeks, months, maybe even years and possibly even decades, we’ll be working our way through the back catalogue of these towering giants of the Ballarat, Victoria music scene, song by song by song by song by song.

This week, let’s start at the start, with the very first song written by the band. Doctor Rock began life in early 2000. I’d spent the previous year and a bit in a Greenday-esque pop punk band called Mr Feenjeen. I found artistically unsatisfying, although it did result in a girl named Claire from Ballarat Grammar School touching my penis in a playground one night at 2am after playing at a party. So, following practice one day I decided to quit, which was convenient timing because the band was going to fire me anyway.

But lack of a band wasn’t going to stop me, though, and my considerable musical genius could not be held back. I’d had a taste of the rock and roll lifestyle: booze, parties, playing hard, staying up past bedtime, adoration from the audience, girls touching my penis, the whole deal. If I started my own band, surely there would only be more of this kind of thing.

Now might be a good time to mention that this was an entirely incorrect assumption. Yes, Doctor Rock was nothing if not a gateway to large quantities of booze, and a couple of parties, some moderately hard playing and even a couple of late nights. However, adoration from the audience and girls touching my penis turned out to be something related more to being in a pop punk band than simply being in a band. Doctor Rock, as you have probably heard by now, was not a pop punk band.

In fact, in the beginning, Doctor Rock was almost not even a proper band. Doctor Rock was almost not even called Doctor Rock. It was almost an electronic duo called The Tokyo Joystick Allstars, featuring my guitar playing buddy Jake and I. Unfortunately, we quickly realised neither of us knew how to be in an electronic duo. So we gathered up a few more likely members - another guitarist, Clemo, and a young keyboard prodigy named Scrappy - and started a real band. A real band called - after a little brainstorming of various names - Doctor Rock, after the Ween song of the same name. It was down to either that or Captain Fantasy.

Granted, it wasn’t a complete real band, but it was certainly getting there. We didn’t quite have a drummer, for example - the first few practices, and the band’s first public appearance, featured Scrappy on keyboard drums. and we didn’t have a dedicated singer - I had my hand up for the position, but wasn’t what you’d call capable in regards to playing bass and singing at the same time. At all.

Nonetheless, it was time to write some songs. The first was written in instrumental form as a direct response to being in Mr Feenjeen - a tune written in 3/4 time called Your Last Fucking Waltz, a halfhearted protest against Feenjeen’s regimental devotion to 4/4 timing. We practiced it a few times, in my dad’s shed (among the 14 strung up drying pot plants), my bedroom, and elsewhere. Eventually, we secured our first show: opening at Mr Feenjeen singer Josh’s 17th birthday. We practiced the whole afternoon leading up the show, over and over, except for a couple of hours during which we went and waved at Queen Elizabeth II as she drove around Ballarat’s Lake Wendouree.

So there we were, standing awkwardly in the middle of Josh’s party - Clemo, Scrappy, Jake and I - ready to invite the world to experience Doctor Rock for the first time. Future Doctor Rock members - drummer Mick and singer Matt - were there watching. And we, well, I don’t entirely remember what we played first. Maybe it was Your Last Waltz. Maybe it was our ill-advised and never repeated cover of Duran Duran’s Girls on Film. Maybe it was our oft-repeated cover of Ween’s Doctor Rock. Maybe it was an extended Middle Eastern jam we called Abasid - but we’ll talk more about that one next week.

Sadly, no audio of the show has survived - just one single photo, above (left to right: Clemo, me, Jake, and do note guitar hanging loosely at Jake’s side) - nor any audio from the keyboard-drums-era practices. So, instead, we fast forward a month or so to hear Your Last Waltz from one of the group’s first practices as a full band - a demo cassette that later became known as ’45 Minutes of Rock’. Enjoy, listeners, and please look for the full .mp3 below, if you’re into that kind of thing.

Download Your Last Fucking Waltz

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