shorthand for quality
November 20, 2011 by alistairw

‘On the Boarderline: A Doctor Rock-umentary’: Episode Six: That Clemo Song

['On the Boarderline' is an ongoing segment on the Movies About Girls Show, in which I talk about my high school/post-high school band Doctor Rock. As the intro goes, it's done 'song by song', meaning there's probably around 100 episodes to come eventually. What follows is the script of the segment, as well as the .MP3 of the episode's featured song.]

Good morning, good afternoon, good evening or goodnight, listeners. Welcome to what we’ve decided to call ‘episode the sixth’ of ‘On the Boarderline: A Doctor Rock-umentary’. Over the coming weeks, months, maybe even years and possibly even decades, we’ll be working our way through the back catalogue of these long prophesied messiahs of the Ballarat, Victoria music scene, song by song by song by song by song.

The last few weeks have seen us going through the band’s first demo in order. If you remember back though, in the first week of the rock-umentary, we went through track four of ’45 Minutes of Rock’ – Your Last Fucking Waltz – so it’s on to track five this week: That Clemo Song.

That Clemo Song was, as the title may suggest, one of the only songs the band performed that had been written by Clemo, Doctor Rock guitarist. Clemo was, at the time, a red-headed 16 year old – the band’s youngest member by some months – who had recently started playing guitar.

Prior to that, he’d fancied himself the manager for Mr Feenjeen, organising a grand total of zero shows for the band over a 12 month period. As far as anyone can remember, the only task he actually completed was to fire Mr Feenjeen’s very first drummer, Johnny H. Still, he was obviously very into the whole band thing, and if he couldn’t actually play in Mr Feenjeen, hanging out with the band as ostensible manager was probably the next best thing.

After Jake and I started the band that became Doctor Rock and decided to get new members, it was an obvious decision to ask Clemo to join – he was taking lessons at the same time as Jake, and we were all buddies after all. We felt like the whole “buddies” thing was more important than any musical skill Clemo may or may not have possessed. Unsurprisingly, he said he’d love to join, with barely a pause. And at some time after the first gig, and before the ’45 Minutes…’ practise, he wrote this song.

This is, I suppose, the song as Clemo envisioned it when he wrote it. Maybe, anyway. Something like that. Clemo came up with some other title for the song, along with his lyrics, but it was rarely referred to as anything other than That Clemo Song even in this state, and never as anything else afterwards.

And surprisingly, it ended up being around for practically the entire run of the band. As with a lot of other tunes from the ’45 Minutes of Rock’ practise session, this song is in such an early formative state and evolved so quickly as to render this version utterly unique. It’s the only recording of the song that features Clemo’s original lyrics, before Matt decided he didn’t like them at all and rewrote them completely. It’s also the only recording of the song that doesn’t feature an excerpt from Edvard Grieg’s In the Hall of the Mountain King in the middle.

Even on the ‘More Ways to Have Fun!!’ EP, it’s there on the back cover as That Clemo Song. We were pretty lazy with titles though, and as you’ll see over the coming weeks, it’s hardly the only composition known only as The Something Something Song. In fact, at one point around mid-2001, almost a third of our set list was comprised of songs titled in that manner.

This is a particularly rough rendition, but I have something of a soft spot for this song. It’s simple, but that same simplicity is probably what kept it in the set-list for so long – it’s short, and in every version but this one, Matt puts in such a spirited vocal performance there’s not really anything to dislike (although I guess your own tastes will decide whether there’s anything to actively like).

But here it is, the original version of That Clemo Song, written by Clemo, performed by Doctor Rock, from ’45 Minutes of Rock’. Please look for the .MP3 below. Next episode, we talk about another cover song – one played by, well, probably every single garage band at one point or another. Until then, this has been yet another episode of ‘On the Boarderline: A Doctor Rock-umentary’.

Download That Clemo Song

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November 12, 2011 by alistairw

‘On the Boarderline: A Doctor Rock-umentary’: Episode Five: Doctor Rock Suck

['On the Boarderline' is an ongoing segment on the Movies About Girls Show, in which I talk about my high school/post-high school band Doctor Rock. As the intro goes, it's done 'song by song', meaning there's probably around 100 episodes to come eventually. What follows is the script of the segment, as well as the .MP3 of the episode's featured song.]

Hello listeners. How are you? Me? Oh, I’m pretty well, thanks. You? Oh good. Good. Welcome to the momentous episode five of ‘On the Boarderline: A Doctor Rock-umentary’. Over the coming weeks, months, maybe even years and possibly even decades, we’ll be working our way through the back catalogue of these black, black sheep of the Ballarat, Victoria music scene, song by song by song by song by song.

This week, it’s track three of ’45 Minutes of Rock’, a song that sprung at least one quarter formed from the first show the band played, at Josh Feenjeen’s 17th. Josh, lead singer of Mr Feenjeen, had been ready to kick me out of the band at the exact same time I decided to quit. As we’ve seen over the past few episodes, this lead to the formation of Doctor Rock, just weeks later.

Was Josh jealous? Bitter, as if his ex had gone off and immediately started not only sleeping with someone else, but doing all kinds of things with the new love interest that they never would have even considering doing with Josh? It’s possible. I don’t want to assume, or put words into his mouth, but there was one thing that happened later that night that makes me think maybe, just maybe, there was something a little on the irritated side floating around that head of his. It was hours on from the time of doctor rock’s debut.

Much had happened in between – alcohol and other intoxicants were imbibed in great quantities, and for some inexplicable reason, I’d brushed off the advances of a quite lovely girl named Eleanor. Mr Feenjeen had played their set, rushing through their pop punk songs within a half hour or so, but reappeared later on.

Mick – Feenjeen bass player and future doctor rock drummer – began playing a Red Hot Chili Peppers bass-line (I’ve no idea which one, because frankly I do not care for the Red Hot Chili Peppers in the least). then Josh began to sing, improvising something that would stick in the minds of the newly formed Doctor Rock for years to come, influencing self-image in a way Josh would never have predicted.

“Doctor Rock suck!” Josh yelled enthusiastically. “They’ve got the right stuff!”

It didn’t make sense, but it did have a certain ring to it. And as any teenage loser will tell you: there’s no defence against criticism like laying it all out there before other people can. So we stole the catchy couplet, and wrote our own song around it. We called it Doctor Rock Suck.

Now, you may or may not have gathered this from previous episodes, but it was early 2000. we’d all lived through that nasty Y2K business, and things were kind of looking up. It was a time when combining rap and rock seemed not only a viable idea, but one to be celebrated. Lower middle class white males rapping was THE hot thing. So we gave it the old Ballarat high school try.

Or, to be entirely accurate, I did. Yes, it’s true. I fancied myself, to some degree at least, a 17 year old rapper. I spent part of last week’s episode apologising, but I could quite easily spend rather a similar amount of time doing it again this week. Aside from breaking up with my high school girlfriend Kirralee via text message and then using an un-erase program on the computer I had lent her in order to try and read supposedly deleted fragments of her diary, there’s not actually anything I regret more from that time of my life than my attempts at rapping.

I am so sorry. It won’t happen again. Obviously, at the time, we were pretty stoked about the song. It was something different by Ballarat standards, and it was novel to perform. As time went on though, it went from being novel to feeling more like a novelty. We never really stopped playing it – even by the end of the group, even once the song was hated by pretty much everyone in the band – because we couldn’t.

Doctor Rock Suck was our novelty hit, and the audiences (limited though they might have been) responded to it, in quite vocal favour of it. By that time, it was 2004. we’d been playing the song for more than 4 years – a song for which the lyrics had been written in a media studies class, and for which Clemo had quite blatantly ripped off the guitar riff from a rather horrible Australian band best forgotten. We were sick of playing it, and I was ashamed of its very existence. I still am, to some extent.

But that was all quite some time away. This version – the version from ’45 Minutes of Rock’ – was ebullient, maybe even voracious. We were certainly having fun, because who knew in 2000 that lower middle class white males rapping along to rock music wasn’t something to be celebrated? Not us. Not a lot of people, it would seem.

The .MP3 is below, as per usual. Maybe you’ll like this one. More likely you’ll hate it. Either way, it’s there, it happened, and now we must deal with it. And this? Well, we have to deal with this too, because it’s been another episode of the increasingly apologetic, ‘On the Boarderline: A Doctor Roc-umentary’.

Download Doctor Rock Suck

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October 8, 2011 by alistairw

‘On the Boarderline: A Doctor Rock-umentary’: Episode Two: Abasid

['On the Boarderline' is an ongoing segment on the Movies About Girls Show, in which I talk about my high school/post-high school band Doctor Rock. As the intro goes, it's done 'song by song', meaning there's probably around 100 episodes to come eventually. What follows is the script of the segment, as well as the .MP3 of the episode's featured song.]

Hello listeners, and welcome to episode two of On the Boarderline: A Doctor Rock-umentary. Over the coming weeks, months, maybe even years and possibly even decades, we’ll be working our way through the back catalogue of these fondly remembered superstars of the Ballarat, Victoria music scene, song by song by song by song by song.

In this episode, we continue looking back at the very early days of the band, and their growth from nothing to something [Gratuitous band in-joke that I will probably explain later]. When we left off last week, the band were midway through the first ever live show, at Josh from Mr Feenjeen’s 17th birthday, and about to begin a song that would prove, possibly more than anything else written at the time, just how purposefully, irritatingly and obtusely different Doctor Rock were aiming to be.

Abasid was a loosely structured instrumental Middle Eastern styled jam, normally lasting somewhere between five and ten minutes. Sometimes less, sometimes more. Eventually, almost a year later, it became a proper song called I Swear to God, with lyrics and structure and a regular running time of around 3:50 and everything. That was later though and before all that, Abasid was a lumbering behemoth of a song; an ambitious jam played by musicians who, given their experience and ability, should have had no place playing ambitious jams.

In fact, if there’s one thing particularly memorable about the first gig, it’s just how unready Doctor Rock were for an audience. Probably that’s true of every single band, and it didn’t matter, of course - debuting at Josh Feenjeen’s party wasn’t exactly playing an industry showcase or anything - but there were problems. Problems aside from, as mentioned last week, our lack of a singer and drummer, which had forced me to attempt to play bass and sing badly at the same time, and had required the use of keyboard drums from Scrappy’s Casio.

There was also the guitar situation. At this time, we had Clemo and Jake on guitar - in theory, one of them was probably rhythm and the other lead, but I doubt anyone could have worked out which was which. Frankly, Jake and Clemo probably didn’t know which was which, and neither seemed in a rush to nominate themselves for one position or the other. Mostly, I would say this is because Clemo was barely capable of power chords at the time, and Jake was apparently completely incapable of doing anything other than standing there blankly looking at the rest of the band while holding his guitar. It’s kind of the defining image of the band at that time.

It’s probably a sign that maybe the practice should have continued all day before the party, and the band should really have skipped two hours spent waving at the Queen as she drove around the lake. But you know, it’s the fucking Queen - what can you do, right? Can’t ignore the fucking queen.

What, you may be wondering, is an Abasid? It’s a Baghdad based dynasty that ruled from 750 to 1258. It’s also the first sort of vaguely Middle Eastern sounding word in the dictionary. There is, now that I think about it, some possibility that the song wasn’t actually yet known as Abasid at this early stage - for a very brief period, it was known simply as ‘Prince of Persia’. Because, you know, nerds.

I don’t really recall what the first version of Abasid, played that night, sounded like. Maybe it wasn’t bad, but more likely it was dreadful, overlong and ponderous for the audience. As with last week’s episode, we’re light on actual audio from the show in question. However, while last week we heard a selection from the ’45 Minutes of Rock’ demo, this week we take Abasid from another early demo - ‘Sing Along With the Doctor’. ‘Sing Along With the Doctor’ was a demo put together by Scrappy and I - just keyboard and bass - to allow incoming Doctor Rock singer Matt to write lyrics. The kind of sparse weirdness you’re about to hear is probably quite similar to that first gig.

So enjoy this week’s selection, friends, and please, do look out for the .MP3 below. Until next week, this has been ‘On the Boarderline: A Doctor Rock-umentary’.

Download Abasid

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October 1, 2011 by alistairw

‘On the Boarderline: A Doctor Rock-umentary’: Episode One: Your Last Fucking Waltz


['On the Boarderline' is an ongoing segment on the Movies About Girls Show, in which I talk about my high school/post-high school band Doctor Rock. As the intro goes, it's done 'song by song', meaning there's probably around 100 episodes to come eventually. What follows is the script of the segment, as well as the .MP3 of the episode's featured song.]

Hello, and welcome to episode one of ‘On the Boarderline: A Doctor Rock-umentary’. Over the coming weeks, months, maybe even years and possibly even decades, we’ll be working our way through the back catalogue of these towering giants of the Ballarat, Victoria music scene, song by song by song by song by song.

This week, let’s start at the start, with the very first song written by the band. Doctor Rock began life in early 2000. I’d spent the previous year and a bit in a Greenday-esque pop punk band called Mr Feenjeen. I found artistically unsatisfying, although it did result in a girl named Claire from Ballarat Grammar School touching my penis in a playground one night at 2am after playing at a party. So, following practice one day I decided to quit, which was convenient timing because the band was going to fire me anyway.

But lack of a band wasn’t going to stop me, though, and my considerable musical genius could not be held back. I’d had a taste of the rock and roll lifestyle: booze, parties, playing hard, staying up past bedtime, adoration from the audience, girls touching my penis, the whole deal. If I started my own band, surely there would only be more of this kind of thing.

Now might be a good time to mention that this was an entirely incorrect assumption. Yes, Doctor Rock was nothing if not a gateway to large quantities of booze, and a couple of parties, some moderately hard playing and even a couple of late nights. However, adoration from the audience and girls touching my penis turned out to be something related more to being in a pop punk band than simply being in a band. Doctor Rock, as you have probably heard by now, was not a pop punk band.

In fact, in the beginning, Doctor Rock was almost not even a proper band. Doctor Rock was almost not even called Doctor Rock. It was almost an electronic duo called The Tokyo Joystick Allstars, featuring my guitar playing buddy Jake and I. Unfortunately, we quickly realised neither of us knew how to be in an electronic duo. So we gathered up a few more likely members - another guitarist, Clemo, and a young keyboard prodigy named Scrappy - and started a real band. A real band called - after a little brainstorming of various names - Doctor Rock, after the Ween song of the same name. It was down to either that or Captain Fantasy.

Granted, it wasn’t a complete real band, but it was certainly getting there. We didn’t quite have a drummer, for example - the first few practices, and the band’s first public appearance, featured Scrappy on keyboard drums. and we didn’t have a dedicated singer - I had my hand up for the position, but wasn’t what you’d call capable in regards to playing bass and singing at the same time. At all.

Nonetheless, it was time to write some songs. The first was written in instrumental form as a direct response to being in Mr Feenjeen - a tune written in 3/4 time called Your Last Fucking Waltz, a halfhearted protest against Feenjeen’s regimental devotion to 4/4 timing. We practiced it a few times, in my dad’s shed (among the 14 strung up drying pot plants), my bedroom, and elsewhere. Eventually, we secured our first show: opening at Mr Feenjeen singer Josh’s 17th birthday. We practiced the whole afternoon leading up the show, over and over, except for a couple of hours during which we went and waved at Queen Elizabeth II as she drove around Ballarat’s Lake Wendouree.

So there we were, standing awkwardly in the middle of Josh’s party - Clemo, Scrappy, Jake and I - ready to invite the world to experience Doctor Rock for the first time. Future Doctor Rock members - drummer Mick and singer Matt - were there watching. And we, well, I don’t entirely remember what we played first. Maybe it was Your Last Waltz. Maybe it was our ill-advised and never repeated cover of Duran Duran’s Girls on Film. Maybe it was our oft-repeated cover of Ween’s Doctor Rock. Maybe it was an extended Middle Eastern jam we called Abasid - but we’ll talk more about that one next week.

Sadly, no audio of the show has survived - just one single photo, above (left to right: Clemo, me, Jake, and do note guitar hanging loosely at Jake’s side) - nor any audio from the keyboard-drums-era practices. So, instead, we fast forward a month or so to hear Your Last Waltz from one of the group’s first practices as a full band - a demo cassette that later became known as ’45 Minutes of Rock’. Enjoy, listeners, and please look for the full .mp3 below, if you’re into that kind of thing.

Download Your Last Fucking Waltz

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