shorthand for quality
November 20, 2011 by alistairw

‘On the Boarderline: A Doctor Rock-umentary’: Episode Six: That Clemo Song

['On the Boarderline' is an ongoing segment on the Movies About Girls Show, in which I talk about my high school/post-high school band Doctor Rock. As the intro goes, it's done 'song by song', meaning there's probably around 100 episodes to come eventually. What follows is the script of the segment, as well as the .MP3 of the episode's featured song.]

Good morning, good afternoon, good evening or goodnight, listeners. Welcome to what we’ve decided to call ‘episode the sixth’ of ‘On the Boarderline: A Doctor Rock-umentary’. Over the coming weeks, months, maybe even years and possibly even decades, we’ll be working our way through the back catalogue of these long prophesied messiahs of the Ballarat, Victoria music scene, song by song by song by song by song.

The last few weeks have seen us going through the band’s first demo in order. If you remember back though, in the first week of the rock-umentary, we went through track four of ’45 Minutes of Rock’ – Your Last Fucking Waltz – so it’s on to track five this week: That Clemo Song.

That Clemo Song was, as the title may suggest, one of the only songs the band performed that had been written by Clemo, Doctor Rock guitarist. Clemo was, at the time, a red-headed 16 year old – the band’s youngest member by some months – who had recently started playing guitar.

Prior to that, he’d fancied himself the manager for Mr Feenjeen, organising a grand total of zero shows for the band over a 12 month period. As far as anyone can remember, the only task he actually completed was to fire Mr Feenjeen’s very first drummer, Johnny H. Still, he was obviously very into the whole band thing, and if he couldn’t actually play in Mr Feenjeen, hanging out with the band as ostensible manager was probably the next best thing.

After Jake and I started the band that became Doctor Rock and decided to get new members, it was an obvious decision to ask Clemo to join – he was taking lessons at the same time as Jake, and we were all buddies after all. We felt like the whole “buddies” thing was more important than any musical skill Clemo may or may not have possessed. Unsurprisingly, he said he’d love to join, with barely a pause. And at some time after the first gig, and before the ’45 Minutes…’ practise, he wrote this song.

This is, I suppose, the song as Clemo envisioned it when he wrote it. Maybe, anyway. Something like that. Clemo came up with some other title for the song, along with his lyrics, but it was rarely referred to as anything other than That Clemo Song even in this state, and never as anything else afterwards.

And surprisingly, it ended up being around for practically the entire run of the band. As with a lot of other tunes from the ’45 Minutes of Rock’ practise session, this song is in such an early formative state and evolved so quickly as to render this version utterly unique. It’s the only recording of the song that features Clemo’s original lyrics, before Matt decided he didn’t like them at all and rewrote them completely. It’s also the only recording of the song that doesn’t feature an excerpt from Edvard Grieg’s In the Hall of the Mountain King in the middle.

Even on the ‘More Ways to Have Fun!!’ EP, it’s there on the back cover as That Clemo Song. We were pretty lazy with titles though, and as you’ll see over the coming weeks, it’s hardly the only composition known only as The Something Something Song. In fact, at one point around mid-2001, almost a third of our set list was comprised of songs titled in that manner.

This is a particularly rough rendition, but I have something of a soft spot for this song. It’s simple, but that same simplicity is probably what kept it in the set-list for so long – it’s short, and in every version but this one, Matt puts in such a spirited vocal performance there’s not really anything to dislike (although I guess your own tastes will decide whether there’s anything to actively like).

But here it is, the original version of That Clemo Song, written by Clemo, performed by Doctor Rock, from ’45 Minutes of Rock’. Please look for the .MP3 below. Next episode, we talk about another cover song – one played by, well, probably every single garage band at one point or another. Until then, this has been yet another episode of ‘On the Boarderline: A Doctor Rock-umentary’.

Download That Clemo Song

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November 12, 2011 by alistairw

‘On the Boarderline: A Doctor Rock-umentary’: Episode Five: Doctor Rock Suck

['On the Boarderline' is an ongoing segment on the Movies About Girls Show, in which I talk about my high school/post-high school band Doctor Rock. As the intro goes, it's done 'song by song', meaning there's probably around 100 episodes to come eventually. What follows is the script of the segment, as well as the .MP3 of the episode's featured song.]

Hello listeners. How are you? Me? Oh, I’m pretty well, thanks. You? Oh good. Good. Welcome to the momentous episode five of ‘On the Boarderline: A Doctor Rock-umentary’. Over the coming weeks, months, maybe even years and possibly even decades, we’ll be working our way through the back catalogue of these black, black sheep of the Ballarat, Victoria music scene, song by song by song by song by song.

This week, it’s track three of ’45 Minutes of Rock’, a song that sprung at least one quarter formed from the first show the band played, at Josh Feenjeen’s 17th. Josh, lead singer of Mr Feenjeen, had been ready to kick me out of the band at the exact same time I decided to quit. As we’ve seen over the past few episodes, this lead to the formation of Doctor Rock, just weeks later.

Was Josh jealous? Bitter, as if his ex had gone off and immediately started not only sleeping with someone else, but doing all kinds of things with the new love interest that they never would have even considering doing with Josh? It’s possible. I don’t want to assume, or put words into his mouth, but there was one thing that happened later that night that makes me think maybe, just maybe, there was something a little on the irritated side floating around that head of his. It was hours on from the time of doctor rock’s debut.

Much had happened in between – alcohol and other intoxicants were imbibed in great quantities, and for some inexplicable reason, I’d brushed off the advances of a quite lovely girl named Eleanor. Mr Feenjeen had played their set, rushing through their pop punk songs within a half hour or so, but reappeared later on.

Mick – Feenjeen bass player and future doctor rock drummer – began playing a Red Hot Chili Peppers bass-line (I’ve no idea which one, because frankly I do not care for the Red Hot Chili Peppers in the least). then Josh began to sing, improvising something that would stick in the minds of the newly formed Doctor Rock for years to come, influencing self-image in a way Josh would never have predicted.

“Doctor Rock suck!” Josh yelled enthusiastically. “They’ve got the right stuff!”

It didn’t make sense, but it did have a certain ring to it. And as any teenage loser will tell you: there’s no defence against criticism like laying it all out there before other people can. So we stole the catchy couplet, and wrote our own song around it. We called it Doctor Rock Suck.

Now, you may or may not have gathered this from previous episodes, but it was early 2000. we’d all lived through that nasty Y2K business, and things were kind of looking up. It was a time when combining rap and rock seemed not only a viable idea, but one to be celebrated. Lower middle class white males rapping was THE hot thing. So we gave it the old Ballarat high school try.

Or, to be entirely accurate, I did. Yes, it’s true. I fancied myself, to some degree at least, a 17 year old rapper. I spent part of last week’s episode apologising, but I could quite easily spend rather a similar amount of time doing it again this week. Aside from breaking up with my high school girlfriend Kirralee via text message and then using an un-erase program on the computer I had lent her in order to try and read supposedly deleted fragments of her diary, there’s not actually anything I regret more from that time of my life than my attempts at rapping.

I am so sorry. It won’t happen again. Obviously, at the time, we were pretty stoked about the song. It was something different by Ballarat standards, and it was novel to perform. As time went on though, it went from being novel to feeling more like a novelty. We never really stopped playing it – even by the end of the group, even once the song was hated by pretty much everyone in the band – because we couldn’t.

Doctor Rock Suck was our novelty hit, and the audiences (limited though they might have been) responded to it, in quite vocal favour of it. By that time, it was 2004. we’d been playing the song for more than 4 years – a song for which the lyrics had been written in a media studies class, and for which Clemo had quite blatantly ripped off the guitar riff from a rather horrible Australian band best forgotten. We were sick of playing it, and I was ashamed of its very existence. I still am, to some extent.

But that was all quite some time away. This version – the version from ’45 Minutes of Rock’ – was ebullient, maybe even voracious. We were certainly having fun, because who knew in 2000 that lower middle class white males rapping along to rock music wasn’t something to be celebrated? Not us. Not a lot of people, it would seem.

The .MP3 is below, as per usual. Maybe you’ll like this one. More likely you’ll hate it. Either way, it’s there, it happened, and now we must deal with it. And this? Well, we have to deal with this too, because it’s been another episode of the increasingly apologetic, ‘On the Boarderline: A Doctor Roc-umentary’.

Download Doctor Rock Suck

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November 5, 2011 by alistairw

‘On the Boarderline: A Doctor Rock-umentary’: Episode Four: Everybody Get Up

['On the Boarderline' is an ongoing segment on the Movies About Girls Show, in which I talk about my high school/post-high school band Doctor Rock. As the intro goes, it's done 'song by song', meaning there's probably around 100 episodes to come eventually. What follows is the script of the segment, as well as the .MP3 of the episode's featured song.]

Oh well hey, it’s my good pals the listeners. Hi listeners, i’m not on the show this week but I still want to welcome you to episode four of ‘On the Boarderline: A Doctor Rock-umentary’. Over the coming weeks, months, maybe even years and possibly even decades, we’ll be working our way through the back catalogue of these sooty-faced, raggedly-dressed little blind matchgirls of the Ballarat, Victoria music scene, song by song by song by song by song.

This week, it’s time for track two from ’45 Minutes of Rock’. When I started thinking through this whole rock-umentary thing, it all seemed like a thoroughly good idea that would be filled with some amusing tunes and funny stories and laughs and good times for everyone. I got a little caught up in that. I forgot how fucking weird and awful some of the early demos are, and how uncomfortable some of it is. ‘How fucking weird and awful and uncomfortable?’, you may ask.

Well, you’re about to find out today. But uh. Really fucking weird and awful and uncomfortable – that’s the answer. As you may know by now, if you’ve been following this series and why wouldn’t you have been, ’45 Minutes of Rock’ was recorded at drummer Mick’s place, at the band’s second practise. As such, not a lot of songs were written at the time. It’s probably the same for most bands, I imagine – first few practises, you don’t have a lot of songs ready, so you end up playing odd covers because of the novelty and thrill of playing in a band. Anything you can think of really – anything that most of the band can vaguely play.

But here’s the thing – this particular cover that we’re talking about today, seems very much a premeditated effort - I seem to know when everyone else comes in, and I seem to have at least some grasp of what’s going on, and everyone seems to know how to play it. My memory’s a little foggy on the exact degree of premeditation, but perhaps it was intended as a song that would be covered on a regular basis.

Could that be right? I mean, it almost sounds right, but boy does it feel wrong. So wrong. So fucking wrong.

Fortunately, this is one cover we never performed at any live show – or, at least, not in full. Occasionally, we would play an excerpt from it in the middle of another song; one that we’ll discuss next week. So here’s the thing, right? I guess, to some degree, I’d forgotten just how embarrassing some of the material we had recorded was. It’s easy to give a copy or two of ‘Boarderline’ to [Movies About Girls host] Ken, for example, because Boarderline is late period stuff; it’s well recorded stuff, relatively well performed stuff, and it’s well written stuff.

What you’re about to hear today is the other end of that scale. It’s the earliest of the early, practically. And it’s not well recorded, or well performed. Oh but it gets worse. Not only is it a cover, and not only is it badly performed, but it’s badly sung by yours truly and at one point features a wretched attempt at MC Shan’s mid-song breakdown rap from Snow’s Informer (something I can recall and perform at will, for some odd reason, even to this day). It is a badly sung cover of Everybody Get Up by late ’90s boy band 5ive.

So listen, I’m sorry. I really am. But if we’re going to do this thing right, there’s got to be no skipping of songs. If I’m going to open every episode by describing this segment as a look at doctor rock “song by song by song by song by song”, then some weeks are going to be more interesting than others, I guess: depending on whether you find good songs or bad songs more interesting. Occasionally you’re going to have to put up with some serious crap – especially amongst this early stuff.

But hey, maybe that’s what you want to hear. Maybe you want to hear horrible boy band songs covered in a screamy fashion by a dubiously talented teenage rock ‘n’ roll quintet. Maybe. I dunno. If you do, boy are you in luck, because that’s exactly what you’re about to hear, and then you can even download the .MP3 below and listen to it all day everyday on your .MP3 playback device of choice.

If not, well don’t worry, because the clip’s a short one and no one’s going to force you to download the .MP3 (probably not, anyway). For now, let’s all do our best to enjoy this week’s song, and maybe things will be better next week. Or maybe not, actually, now that I think about it, because we’re talking about one last anecdote from Josh Feenjeen’s 17th, and discovering how some drunken on-stage teasing from the birthday boy lead to one of the more unique and inexplicably enduringly popular Doctor Rock songs. And of course, that’s assuming that Ken even lets me keep going with the series after this effort. Guess we’ll find out. Until then though, this has been another episode of ‘On the Boarderline: A Doctor Rock-umentary’.

Download Everybody Get Up

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